Da Capo Press
Ishmael Reed is one of the most prolific writers, seers, and pundits of the 20th and 21st centuries. The author of nine novels, six books of poetry, six plays, and four books of political essays has been a constant presence and persistent thorn in the sides of various official experts. What I love about Reed is his refusal to be classified, stereotyped, or labeled. From his first book, 1967's wildly experimental Freelance Pallbearers, through a turbulent and often silly surge of academic quarrels, he has shared his vision with bravado and courage.
His latest book of political essays continues his crusade for mother-wit in the face of a consistently homogenized culture, whether through an insightful interview with saxophonist Sonny Rollins, or writing that tackles America's anti-black lending practices. Reed's take is plainspoken and no-nonsense, yet an element of whimsy seems to permeate even the most uncomfortable subjects.
In an essay about the Michael Jackson and Kobe Bryant trials, for example, his observation about hip-hop "pimp-culture" is that "Blacks are just as incompetent in this area of crime as they are in all others. Nearly four hundred years on this continent and not a single Martha Stewart or Ken Lay."
The only drawback of this book is that I get the impression that Reed is spending too much time in front of the television. It's rumored that he has several sets stacked one on top of another so he can watch them simultaneously.